'Her images seem to bleed into the page, without restraint
of finite definition, evoking a dream-like stasis. Image and substrate blend
into one and the same, as lines and colors wash across the page in a sheer
fragment of reality.'
Her architectural studies involve buildings from around the
world, in such landmark cities as London, Paris, Istanbul, Busan, Venice, and
Oxford. Having a firm grasp of both positive and negative space to create her
imagery is essential to the structure of her illustrations, blurring the lines
between the two in soft washes of color and sharp contrast of detailed lines.
It forces the viewer to almost envision the rest of the piece in their own
interpretation, creating a real synergy between man and piece.
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